© Screenshot from: http://www.msu.hr/dogadanja/vlatka-horvat-good-company-triggers/1250/en.html


Vlatka Horvat’s Good Company presents a selection of works from the museum’s Sculpture collection through the lens of the artist’s practice.

In the space of the exhibition, small groups of works from different eras and artistic movements are placed in dialogue with each other. Figurative pieces and abstract works sit side by side, and their spatial arrangements underscore contrasts and connections between different formal gestures and sculptural materials. Horvat’s selection and presentation of works offers a playful, dynamic view of the grouped sculptures, their relations, connections and possible interpretations.  

Alongside the installation of works in space, Horvat has made an experimental wall-based publication in the form of seven new collages. These works respond to and deploy reference photographs of artworks taken from the collection database, creating sequences of images that link works via visual equivalences and contrasts, regardless of their scale. Staging morphological transformations from image to image, the work invites us to ask questions about how we understand the world through different forms of categorization and organization.

Relations that emerge between the works in the exhibition Good Company become a metaphor for relations within actual social structures. Affinities and connections, as well as differences and contrasts, are all at work in this loose assembly, raising questions about belonging and being together, sharing space and the idea of community.

Vlatka Horvat is an artist working across a wide range of forms, from sculpture, installation, drawing, collage and photography to performance, video, writing and publishing. Reconfiguring space and social relations at play in it, her projects often rework the precarious relationship between bodies, objects, materials, the built environment and landscape. Her work is presented internationally in a variety of contexts – in museums and galleries, performance venues and festivals, and in public space, and is held in numerous public and private collections in Europe, North America and Asia. After spending twenty years in the US where she moved to as a teenager, she currently lives in London, and teaches in the Fine Art department at Central Saint Martins / University of the Arts London.