Muzeum Sztuki in Łódź is one of the oldest museums of modern art in the world. The Museum’s connections with the avant-garde date back to the turn of the 1920s and 1930s, when a group of radical artists from the “a.r.” group began gathering works of the most important artists of the day for the Museum. The action met with great interest of European avant-garde, making many outstanding artists, such as Fernand Leger, Max Ernst, Hans Arp and Kurt Schwitters to donate their works to the collection. The fact made the collection of the “a.r.” group a unique symbol of solidarity and cooperation of the avant-garde. The International Modern Art. Collection of the “a.r.” group, representing the main directions of art. such as Cubism, Futurism, Constructivism, Purism, Neoplasticism and Surrealism was open to public on 15th February 1931. The collection has since been consistently expanded by including international modern and contemporary artworks. Due to this fact Muzeum Sztuki is now the only museum in Poland with such extensive collection of world art of the 20th and 21st century.

The Czech Centre Berlin has been engaged in dialogue with the German public and media since 1993. It organizes its own events, collaborates with key cultural institutions shroughout Germany, and supports exchange programs.

Its program focuses on contemporary art, music, documentary film, literature, design, and architecture. It offers Czech language courses at a wide range of levels.

 

The Museum of Contemporary Art (MoCA) – Skopje is a symbol of solidarity which, as a lasting value, remains carved in the collective memory of the Macedonian public.

Founded in 1964 as a result of numerous donations of art works to the city of Skopje coming from artists and institutions from all over the world, the mission of the Museum of Contemporary Art is to nourish and disseminate the values of the modern and contemporary art defining the living culture and society of our times.

The distinctive authority of the MoCA is incorporated in the presentation, comprehension, social engagement and enjoyment in art. In addition to the precious collection, which provides a representative insight into the modern and contemporary art, the Museum will also continue to successfully pursue its mission – discovering and approximating the art values of our time and of the future.

 

WHAT ARE OUR GOALS

To preserve, protect, study and upgrade the collection of over 5,500 works of art and by exposing them to the judgment of the public to enable the understanding of contemporary art and society;

To organize and present exhibitions, manifestations, talks with artists, discussions with the public, film and video screenings, lectures, publications and other interdisciplinary programs as a result of the wide spectrum of contemporary cultural practices;

To reach equally to the regional and to the diversity of the global artistic aspects that relate to the open questions and perspectives that are posed before art and today’s societies;

To deepen the educational dimension of art and the role of the museum institution in developing awareness of the importance of nurturing and promoting cultural values;

To create a broad platform for critical dialogue that shapes our present.

The MoCA will remain a contemporary museum, which is open and accessible to all art admirers and lovers. Concurrently, it is identifiable as a place for spending time together and talking, for gatherings with or without a special occasion. It will communicate adequately with general public, enticing curiosity in terms of art so as to make museum visits a part of everyone’s everyday life. It will enable everyone to step out of their boundaries and join the global events in the sphere of culture and arts.

The MoCA will continue to be “a city meeting point” – the entrance into the cultural life of the city which takes the visitors to the contemporary artistic events at a national and international level.

The Gallery of the Central Bohemian Region (GASK) has changed its name and location several times during its existence. Founded in 1963 as the regional gallery of the Central Bohemian Region, it was part of Czechoslovakia’s wide-ranging network of state-run galleries. It was officially established at the Central Bohemian Gallery a year later, when it was split off from Regional Centre for Monument Preservation.

In May 2010, GASK opened its doors and began its exhibition activities in Kutná Hora. In 2013, renovation was completed on the final part of the Jesuit College, the northern wing, followed by the surrounding gardens. With the addition of visual playrooms, the impressive spaces of the Baroque pharmacy, the conference room and other exhibitions spaces, the gallery is now a unique cultural environment that is open to the broad public.

GASK is located in the former Jesuit College, one of the main architectural landmarks of Kutná Hora, a town inscribed on the UNESCO World Heritage List.

Maribor Art Gallery opened its door on 8th February, 1954. Maribor thus received the first professional institution engaged in museum and gallery activity in the field of modern art. The city once again became a relatively important focal point for artistic and cultural activities, originating in tradition of the Grohar Art Club, going back to the 1920’s with its pioneering role in terms of organized artistic life in the city. By settling in the building on the corner of Strossmayerjeva and Orožnova Streets, UGM acquired about 800 m2 of exhibition space, which are completed with the representative Great and Pillar Halls. The central exhibition grounds are located in the former bourgeois palace from the first half of the 19th century and in the former church of a celestial monastery from the second half of the 18th century. After merging with the Rotovž Exhibition Hall in the 1980s, UGM acquired a department for contemporary art and additional presentation spaces in the city centre.

Today UGM acts as a regional museum of contemporary visual arts in the territory of its founder, the Municipality of Maribor and in the broader region of north-eastern Slovenia. It is one of the public cultural institutions of wider significance.

With its collection of more than 7,000 art works by Slovene artists from the end of the 19th century up to present, UGM is one of the main museums for modern and contemporary art in Slovenia. Painting, sculpture and prints are joined by photographs, video art, multimedia installations and interactive art projects.

Our mission is to:
• collect, preserve, present, interpret, research, document and protect Slovene cultural heritage in the field of visual art from the beginning of the 20th century to present time;
• present, promote and interpret contemporary Slovene and international visual art;
• educate the public about modern and contemporary visual art.

A the UGM one can – besides major names of Slovene visual art in the last hundred years – follow influential developments of international art scene, get acquainted with the rising stars of modern art and explore current themes in visual arts. With its collection and programme of around 12 special exhibitions a year – ranging from retrospective reviews of works by Slovenian authors to international festivals of contemporary art as well as architecture and design exhibitions – UGM importantly shapes both the art scene in Slovenia and internationally. Well-structured education programme joins different generations, ethnic groups and educational institutions.

https://www.ugm.si/en/

The Tallinn Art Hall Foundation is a contemporary art establishment founded in 1934 that currently presents exhibitions in two galleries – at Tallinn Art Hall Lasnamäe Pavilion (24 Jaan Koorti Street) and Tallinn City Gallery. The exhibitions of Tallinn Art Hall are installed by Valge Kuup Studio.

Tallinn Art Hall addresses the most pressing issues in contemporary art and society, provides a fascinating programme for contemporary audiences and helps artists create new exhibitions and works. We hold 10 to 12 exhibitions a year, making us one of the largest art producers in Estonia.

We are part of the larger international contemporary art scene and mediate an active exchange of ideas between local and international art scenes and audiences. In addition, we also organise exhibitions abroad. When putting together our programme we value being contemporary, international, well-curated and engaging different generations.

In addition to exhibitions, our programme also features performances, concerts, talks and many other interesting events.

https://www.kunstihoone.ee/en/

Moderna galerija is a national museum that works, in accordance with its mission, in the fields of modern and contemporary art. It was founded in 1947 as a museum of modern art. With Slovenia’s independence in 1991, Moderna galerija became the principal national institution of modern and contemporary art and an increasingly active link between the local and the international, in particular Central and Eastern European, contexts.

During the transition following the downfall of the Communist regime, Moderna galerija suffered financial problems and personnel shortage. Today’s vision of Moderna galerija is based on its history from the founding to the disintegration of the former Yugoslavia and the downfall of Socialism, on the strong experience of the Balkan wars, the transition period and critical awareness of the increasing globalisation processes. The concept of museum advocated by Moderna galerija follows its own way and resists the existing hegemonic models. In the crucial period of the 1990’s, Moderna galerija refused to become a postmodern museum of sensations and intense experiences; on the threshold of the new millennium it fairly clearly developed the concept of an art museum that advocates the plurality of narratives and priorities of local spaces that intend to enter equal dialogues with other spaces only with their own symbolic capital.

Since 2011, Moderna galerija has operated on two locations: in the original building of Moderna galerija (MG+) in the centre of Ljubljana and in the Museum of Contemporary Art Metelkova (+MSUM) located on the renovated premises of former military barracks. The concept of Moderna galerija as a museum of modern and contemporary art was initiated in the early 1990’s, at the time of a strong need to allow more space for the previously neglected contemporary art and form closer links with the international space as well as with the national history and the historical moment then marked by the war and the new political geography of Europe. In contrast to the past decades, Moderna galerija began to show the interest in the present moment, which involved a different, but no less responsible addressing of the past. This initiated the processes that acquired their first tangible form in the Instrument of Constitution of Moderna galerija (2004) that defines the difference between the museum of modern art and museum of contemporary art as follows.

https://www.mg-lj.si/en/

The Museum of Modern and Contemporary Art (MMSU), founded in 1948 as a Gallery of Fine Art, opened its door to visitors in the Governor Palace, then the City House of Culture. In 1956, it moved to the second floor of the University Library in Dolac Street, where it remained until 2017 when it again moves to a brand new building of ex-industrial complex Benčić. Apart from that premises, the Museum also manages mali salon Gallery at the Rijeka main street Korzo.

As a Gallery of Fine Arts and under the names that followed (Modern Gallery, Modern Gallery of Rijeka – Museum of Modern and Contemporary Art), the museum has built the reputation of one of the most important and most prestigious visual arts institutions in Croatia. Due to the high quality of work, MMCA has been entrusted with the presentation of Croatian art and artists at prestigious international events such as the Venice Biennale (1997, Dalibor Martinis, 2007 Ivana Franke), the Biennial of Sao Paulo (2004 Zlatko Kopljar), 12th Venetian Biennale – International Architecture Exhibition 2010.

It was also entrusted with the organization of the Rijeka Salon (1954 – 1963), the presentation of Croatia at the Biennial of Young Artists of Europe and the Mediterranean (1993-1997), the Biennial of Young Artists of Yugoslavia (1960-1991), International Drawing Exhibition (1968 – 2013) and other projects.

The Museum participated in numerous international projects such as Culture of dopolavoro – Yesterday, Today, Tomorrow (European Social Fund, 2018-2020), Youth Council Benčić, Rijeka 2020 – European Capital of Culture, Culture Program (2007-2013) and Creative Europe (2014-2020), X-OP Exchange of Art Operators and Producers, Soft Control, Password Printmaking, Risk Change, Anthology of Smuggling, Digitizing Contemporary Art (DCA) … It is a partner of many international institutions and artists.

https://mmsu.hr/en/

The Largest Art Collection in the Czech Republic

Our 399,000 collection items contain exquisite art from all time periods. On top of that, the best works are regularly on display in permanent exhibitions and short-term expositions. Discover for yourself the original artworks by Albrecht Dürer, Vincent van Gogh, Paul Gauguin, Paul Cézanne, Edvard Munch, Pablo Picasso as well as Czech artists – Václav Hollar, Josef Václav Myslbek, Toyen, Jan Preisler, František Kupka, Zdeněk Sýkora and Adriena Šimotová.
You may view a selection of the most interesting works on the online collections, too. There are high-quality photographs in the public presentation of collection items, accompanied by basic information on the works and their authors. Close to 3,000 paintings, sculptures, and other items are at your disposal.

Exhibitions

The National Gallery Prague hosts exhibitions in seven buildings in the city centre. Our yearlong exhibition programme presents a vast variety of subjects and personalities, covering not only the Czech art scene, but also striving to introduce crucial aspects of Central European, European and world art to the Czech audience.

OSTEN ist ein Festival für Kunst und gegenseitiges Interesse. Es erforscht und feiert “den Osten” als Landschaft der Veränderungen für Mensch, Natur und Zusammenleben. Vom 1. bis 16. Juni 2024 lädt das Festival zum zweiten Mal ein, die Stadt Bitterfeld-Wolfen und “den Osten” mit einem vielseitigen Kultur-Programm (neu) zu entdecken.

Bitterfeld-Wolfen ist ein spannendes Beispiel für Schicksal und Chancen einer Region mit Transformationsgeschichte. Hier konzentrieren sich Entwicklungen und Erfahrungen, die auch andere Regionen in Ostdeutschland gemacht haben, die Narben der Auf- und Zusammenbrüche treten besonders deutlich hervor. Von der Heidelandschaft zum brodelnden Industriekessel, umschlossen von Gruben und Deponien, über die politische Wende 1989/90 hin zur Rückkehr der Natur, dem Leben mit toxischen Halbwertszeiten und der Zukunft der Energie. Wo, wenn nicht hier, können Geschichten von Veränderung erzählt werden?

Mithilfe der Kunst will das Festival OSTEN den Austausch über die Geschichte, Gegenwart und Zukunft „des Ostens“, auch über Ostdeutschland hinaus, anregen und Begegnungen schaffen. Was bedeutet Osten? Was ist spezifisch, was international? Was lässt sich aus der Vergangenheit lernen? Welche Ideen und Visionen gibt es für die Zukunft? Diesen und weiteren Fragen spüren Künstler:innen und Kulturinstitutionen beim Festival, gemeinsam mit den Menschen aus Bitterfeld-Wolfen, in Theater, Performances, Workshops, Ausflügen und vielem mehr nach. In einer Region, in der seit der Wiedervereinigung viel Kulturangebot verschwunden ist, lädt das Festival ganz im Sinne des Bitterfelder Wegs zum Mit- und Selbermachen ein. Es richtet sich an Menschen aus Bitterfeld-Wolfen, indem es ungewöhnliche Zugänge zur Stadt entwickelt, und an Menschen von außerhalb, die sich für das Besondere dieser Landschaft und ihrer Geschichte begeistern lassen. In offenen Werkstätten und künstlerischen Aktionen können die Besuchenden selbst kreativ werden und das Festival mitgestalten.

Original Wolfen – Weltgeschichte im Brennglas

Nach der Erstauflage am Kulturpalast in Bitterfeld zieht das Festival vom 1. bis 16. Juni 2024 nach Wolfen. Die diesjährige Ausgabe – unter der Schirmherrschaft des Oberbürgermeisters von Bitterfeld-Wolfen, Armin Schenk, – widmet sich der Film- und Faserproduktion im Stadtteil Wolfen. Wie unter einem Brennglas bündelt sich hier die Geschichte fossiler Industrialisierung: Angetrieben durch die Energie der Braunkohle und die Filmeuphorie des 20. Jahrhunderts, wird das anhaltische Dörfchen Wolfen binnen einer Generation erst zur modernen Industriestadt, dann zum nationalsozialistischen Prestige-Standort und später zur sozialistischen Vorzeigestadt. In Wolfen werden einer der ersten praktikablen Farbfilme entwickelt und die Kult-Marke ORWO (ORiginal WOlfen) geboren. Nach der Wiedervereinigung prägen der Ausverkauf und die Demontage der Filmfabrik, Arbeitslosigkeit und Wegzug die Stadt. Wolfen wird Teil einer Landschaft, die wir entweder als problematische Hinterlassenschaft oder als Teil der Lösung für eine Gesellschaft von morgen begreifen können.

Welt Weit Wolfen

Am ersten Festivalwochenende vom 1.bis 2. Juni spielen die historischen Verbindungen der Filmstadt Wolfen nach Schostka in der Ukraine und Rochester in den USA eine besondere Rolle. Alle drei Städte blicken auf eine gemeinsame Geschichte industrieller Farbfilmproduktion zurück und teilen die Erfahrungen von Umweltverschmutzung, De-Industrialisierung, Arbeitslosigkeit und der Suche nach neuen Perspektiven.

Ewigkeitsprobleme

Im Fokus des zweiten Wochenendes vom 7. bis 9. Juni stehen die natürlichen Lebensgrundlagen: Vor 40 Jahren fand zwischen Bitterfeld und Wolfen eine der ersten Umweltdemonstrationen der DDR statt. Die Region galt als eine der dreckigsten Europas und die giftigen Hinterlassenschaften müssen als sogenannte Ewigkeitsprobleme noch lange intensiv betreut werden. Trotzdem hat die Region inzwischen vielerorts Naherholungswert!

Was kommt nach der Industrie?

Ein dritter Schwerpunkt richtet den Blick in die Zukunft: In vielfältigen Formaten setzen sich etwa internationale Künstler:innen der Bauhaus Study Rooms am letzten Festivalwochenende vom 14. bis 16. Juni mit den industriellen Umbrüchen in Bitterfeld-Wolfen auseinander und fragen: Was kommt nach der Industrie?

Kunst an Orten der Industriekultur entdecken

Herzstück des Festivals ist eine Ausstellung vieler Künstler:innen und junger Kunstschaffender, die als Parcours zwischen der ehemaligen Feuerwache, den Brachen der ehemaligen Film- und Faserfabrik, dem Industrie- und Filmmuseum sowie dem ehemaligen Kino zum Staunen und eigenständigen Erkunden einlädt. Mehr als 50 Kunstwerke gibt es hier zu sehen!

Alte Feuerwache wird Festivalzentrum

Die ehemalige Feuerwache Wolfen hat sich in ein lebendiges Festivalzentrum verwandelt – ein Original Wolfener Ausstellungspavillon auf dem Gelände der ehemaligen Filmfabrik. Hier können alle brennenden Fragen besprochen werden. Mit Wasserrutsche und Pool ist er zugleich Oase, in der man sich erfrischen und hinterher mit kühlem Kopf weitermachen kann.

Bleiben und Mitmachen

Das Festival OSTEN ist als Mosaik gebaut: Es lohnt sich, einen ganzen Tag zu bleiben, oder besser noch zwei oder drei. Auch unabhängig von den Öffnungszeiten des Festivalzentrums kann eine Vielzahl von Kunstwerken, Audiowalks und Installationen im Stadtraum erkundet werden.

Alle sind willkommen!